fashion

 

 

The Triple Portrait (aka Disaster Averted)

August 21st, 2010

A few weeks back I wanted to shoot a triple portrait – I put up a casting call on Model Mayhem and within a few days I had two girls who looked great together.  My third model (Sasha) was recommended to me by a friend.  I was in constant contact with all the girls, coordinating schedules and figuring out a day that everyone was free (which was no small task since I also had to take into consideration the schedule of my MUA).  Now, it’s about 36 hours before the shoot and I contact all the girls (via email or text) to get a final confirmation.  Sasha is the only one to respond.  I started to panic – I mean, the whole point of the shoot was to create an image with three people in it.  I frantically start emailing models I’ve worked with previously to see if anyone was available short notice, to no avail.  Finally, the next day I heard from Bethany (who lives in San Diego), who agreed to drive up to LA.  I felt a bit better but I still only had two confirmed models.  At this point all I could do was have faith that at least one of the other models would show up.

The next day Veronica and I arrive at the location at 10am (which was the call time for the first model).  An hour goes by until Sasha shows up at her scheduled call time (Bethany didn’t have a scheduled time as she was driving from San Diego).  Now here is where I rant a little….I HAVE ZERO TOLERANCE FOR FLAKES.  Models, if you contact me wanting to shoot and you go through the whole process of scheduling a time with me, why flake out?  If you wake up the morning of a shoot and decide “I’m just not feeling it” at least be mature enough to call or text or email me and give me whatever lame excuse you thought of while you were laying in bed.  If I believe your excuse, there is always the (very) slim chance that I’ll consider working with you again.  If you choose to flat out flake on a commitment, you have ensured that you and I will never work together.  Not only that, but if your name comes up in conversation with regards to a colleague’s shoot (be it a photographer, make up artist, hair stylist, wardrobe stylist) you can be sure that I’ll let them know you’ve flaked out previously – and not because I’m malicious but because I wouldn’t want them to get screwed over by a non-reliable model.  OK, END RANT.

At the end of the day, I tried out a simple lighting setup I had been thinking about, I took some awesome photos of Sasha and Bethany (both of whom had amazing wardrobe) and we accomplished the triple portrait, albeit taking some liberties with the idea of what constitutes a person…

triple portrait

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Abide With Me

August 6th, 2010

If you check out the current issue of W25 magazine (issue 23 – August 2010), you’ll find an excerpt from a fashion editorial I shot a while back.  Not only did they give me 6 pages, but I also got the cover!  Also, a brand new magazine – Turn Magazine – picked up some images from this editorial for their premier issue which comes out in September, so stay tuned for that as well.

For now, here are a few images to give you a little taste of what my awesome team helped me create:

Kristina_full_length

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Crystal

July 30th, 2010

Here are a few shots from a recent shoot I did up in Thousand Oaks – I forgot my reflector so had to work with what nature provided…

Crystal_1 CONTINUE READING

Permits.

May 31st, 2010

Let’s talk about permits.  Now, if I’m shooting a job (outdoors, in nature) where I’m getting paid, my crew is getting paid, and the model is getting paid, then I have no problem getting a location permit.  However, if no one is getting paid – a prime example would be test shooting – then I start to have a problem having to shell out for a location permit.  It’s especially frustrating since I’ve been told numerous times that I only need a permit if I’m shooting commercially (ie. if I’m making money, or if money is even involved)…which brings me to a shoot I did a few weeks back.

It was all planned out – a friend and I went out one afternoon and scouted for a location, the model and make up artist were confirmed, and a rad designer from Portland had sent down some dresses.  Now granted, the location we found was in a state park and there is about a 50/50 chance of getting kicked out.  BUT I figured the chances were in my favour seeing as i was using natural light and there were only five of us.  I obviously figured wrong – almost as soon as we wrapped up the first look we were told to leave.  At this point we went into full guerrilla mode – driving until we found some suitable backdrop, jumping out of the car, shooting for about 10 minutes, and then moving on.  While this method was a little more stressful (ok, a lot more stressful), it reminded me about the great images that can be produced due to having to improvise.

Jacquelyne 1

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about me

A Canadian, Angela is a photographer that lives in Venice Beach, California and has driven from one end of the continent to the other three times in one year. She once flipped her car ten times and used to test explosives for the government.

contact info

angela marklew
angela@fstopinertia.com
310.913.5268

11 breeze ave apt a
venice, ca, 90291

my work

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