beauty

 

 

Re-Inventing the Wheel

July 22nd, 2010

One of my recent assignments for my workshop was to shoot a portrait of someone and incorporate a mode of transportation as a design element.  Let me tell you, I thought about every possible method of transportation and the only things that inspired me were things I had absolutely no access to (small airplanes, hot air balloons, etc).  Everything I did have access to (cars, bikes, skateboards) bored me to death.  I had NO ideas – this was a major problem.  So finally I decided to take the most basic method of transportation – the wheel – and use it to create shadows in the hopes of producing a very graphic black and white image.  Immediately after I shot, I had a sinking feeling in my stomach that I just didn’t get what I set out to do…however, after a few days I was completely happy with the result.

Bethany_wheelchair
It’s a common practice of mine to let my images sit a few days after a shoot before I look at them – it gives my emotions from the shoot day a chance to dissipate, so I can look at the images with fresh eyes.
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Permits.

May 31st, 2010

Let’s talk about permits.  Now, if I’m shooting a job (outdoors, in nature) where I’m getting paid, my crew is getting paid, and the model is getting paid, then I have no problem getting a location permit.  However, if no one is getting paid – a prime example would be test shooting – then I start to have a problem having to shell out for a location permit.  It’s especially frustrating since I’ve been told numerous times that I only need a permit if I’m shooting commercially (ie. if I’m making money, or if money is even involved)…which brings me to a shoot I did a few weeks back.

It was all planned out – a friend and I went out one afternoon and scouted for a location, the model and make up artist were confirmed, and a rad designer from Portland had sent down some dresses.  Now granted, the location we found was in a state park and there is about a 50/50 chance of getting kicked out.  BUT I figured the chances were in my favour seeing as i was using natural light and there were only five of us.  I obviously figured wrong – almost as soon as we wrapped up the first look we were told to leave.  At this point we went into full guerrilla mode – driving until we found some suitable backdrop, jumping out of the car, shooting for about 10 minutes, and then moving on.  While this method was a little more stressful (ok, a lot more stressful), it reminded me about the great images that can be produced due to having to improvise.

Jacquelyne 1

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1986

May 10th, 2010

My team and I recently got together to do a beauty editorial inspired by the hair and make up of the 1980’s.  My model, Alexandra, wasn’t even born until 1990 (which makes me feel old) – but she did an amazing job.

Alexandra-1986-1

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Re-visiting old work

May 1st, 2010

A few weeks ago I decided to finally put a new (bigger) hard drive in my computer.  My computer had been running strangely and so it was decided that the best thing would be to reinstall everything from scratch.  This was no big deal since all my files are kept on external hard drives.  The only thing I was dreading was re-importing everything into Lightroom – luckily it went much smoother than I hoped for.  Not only that, but as I was going through all the folders to make sure my ratings etc had made it through the import, I got to re-visit old shoots.  In particular, a shoot from December 6th, 2007 caught my eye.  I decided to look at the images with fresh eyes and re-edit to see if my aesthetics had changed much.  I actually ended up choosing the same poses I chose the first time around (with an additional portrait thrown into the mix).  Then the fun part became retouching the old images with my current retouching aesthetic.  While the original retouched images from 2007 are still among my favourites, the newly retouched image has a completely different feel.  I’m really not sure if I even prefer one over the other.  What do you think?

jennilee - re-edit

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Recent Work – Monochromatic: part 2

January 30th, 2010

Excerpts from a beauty shoot I did a couple weeks ago…

neva_mono_1 CONTINUE READING

Colour Theory

December 7th, 2009

About a month ago my favourite make up artist, Veronica Lane (who also happens to be an awesome lady) and I sat down to talk about an idea we had for a beauty editorial.  Since I love getting my models messy, I brought up the idea of incorporating paint into the mix…and from there the idea for “Colour Theory” was born.  So a couple weeks ago, Veronica and I brought on Ashley Hall (a fantastic hairstylist) and we spent half a day shooting.  We had three great models who were all completely on board for getting messy (my favourite kind of models…)

colour theory

This was one of the last shots of the day…to see more, check out both my portfolio and my behance page

about me

A Canadian, Angela is a photographer that lives in Venice Beach, California and has driven from one end of the continent to the other three times in one year. She once flipped her car ten times and used to test explosives for the government.

contact info

angela marklew
angela@fstopinertia.com
310.913.5268

11 breeze ave apt a
venice, ca, 90291

my work

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